This documentary that takes viewers inside one of the world’s most sinister secret societies — the Ku Klux Klan. Based on an award-winning investigative AP series, the true-crime documentary captures the infiltration of the klan in northern Florida by a former Army infantryman named Joe Moore and includes exclusive new interviews with the FBI agents who oversaw the operation and exposes systemic corruption.

In 1994, Sarajevo was a city under siege. Mortars and rocket propelled grenades rained onto the city, killing indiscriminately, every day. Amongst the madness, two United Nations personnel: a British military officer and another Brit working for the UN Fire Department, decided it would be fun to persuade a global rock star, Bruce Dickinson of Iron Maiden, to come and play a gig to the population. Scream for Me Sarajevo brings that story, in all its madness, to the big screen. A story of musicians who risked their lives to play a gig to people who risked their lives to live them.

This film follows several independent game developers (Jason Rohrer, thatgamecompany, Douglas Wilson, Zach Gage, Aledander Bruce) examining why they make digital games. The film delves into their creativity and explores some of their thinking and design strategies. Game developers operate in terrain that demands both programming logic and aesthetic quality. The work is hard, however that’s what they want to do. The film explores how the developers go deeper into the notion of entertainment and discovery.

Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.

From inside Bolivia’s craziest prison a cocaine worker, a drug mule and his little sister reveal the countries relationship with cocaine.

Whether they’re performing at an animal rescue center benefit, a church fundraiser, or a shrimp parade, the Calendar Girls give it all they’ve got. And they have a lot to give — impressive makeup; handmade costumes; elaborate dance routines; and, most notably, their unparalleled enthusiasm and sparkling personalities. They are a group of hardworking senior volunteer dancers in Florida, determined to prove that age is just a number.

For over a decade, this portrait of a North Philadelphia family and the creative sanctuary offered by their home music studio was filmed with vérité intimacy. The family’s 10-year journey is an illumination of race and class in America, and it’s a testament to love, healing and hope.

On June 1st, 2009, Air France flight 447 disappeared somewhere over the South Atlantic. After five lengthy, costly search campaigns, the plane was finally located and the black boxes recovered. Now, for the first time, footage from the search missions has been made available. We discover the story behind this search for an aircraft lost, and found, in the middle of nowhere.

Examines Gabby’s life through the curated lens she created and immerses the viewer in the world of social media sleuthing that was crucial to the case.

First Descent is a 2005 documentary film about snowboarding and its beginning in the 1980s. The snowboarders featured in this movie (Shawn Farmer, Nick Perata, Terje Haakonsen, Hannah Teter and Shaun White with guest appearances from Travis Rice) represent three generations of snowboarders and the progress this young sport has made over the past two decades. Most of the movie was shot in Alaska.

On October 1, 2013, the elusive street artist Banksy launched a month-long residency in New York, an art show he called Better Out Than In. As one new work of art was presented each day in a secret location, a group of fans, called “Banksy Hunters,” took to the streets and blew up social media.

How do perfectly ordinary, normal people cope with the extraordinary challenge of an embarrassing, provocative, famous or unbelievable name? This documentary examines the phenomena of “strange names.”