In the early 1990s, a recently widowed, impoverished Orlando water park employee schemes and cons her way up the ranks of the multi-billion dollar pyramid scheme which ruined her financially in the first place.

When a massive sinkhole mysteriously opens in Los Angeles, it tears a family in half, separating mother and son from father and daughter. When part of the family finds themselves in an unexplainable primeval world, alongside a disparate group of strangers, they must work to survive and uncover the mystery of where they are and if there is a way back home.

Undercover follows Maya, the first black Director Of Public Prosecutions. Just as she is about to take up the post and her life comes under intense public scrutiny, she learns that that her husband Nick has been lying to her for years. Twenty years ago Nick was a fearless and dedicated undercover officer, infiltrating organisations considered a danger to society because of their political beliefs. Nick built himself a fake past and now with his wife unsuspecting and his conscience killing him – his secret identity may compromise the new Director of Public Prosecutions.

Being a pro athlete didn’t pan out for Colt. Now he’s helping his dad and brother keep the ranch afloat, and figuring out how he fits into the family.

A man finds himself at war with a bee while house-sitting a luxurious mansion. Who will win, and what irreparable damage will be done in the process?

Regina Haywood is the newly promoted deputy inspector of East New York, a working-class neighborhood at the edge of Brooklyn. She leads a diverse group of officers and detectives, some of whom are reluctant to deploy her creative methods of serving and protecting in the midst of social upheaval and the early seeds of gentrification.

Ordinary college student Paige gets her big break after auditioning for the starring role in a Hollywood blockbuster. She must now navigate her new star-studded life and the highs and lows that come with being the new It Girl in town as well as balancing her college workload.

The six-part thriller follows a Bomb Disposal Squad called Expo, which sees officers in contemporary London risking their lives in the face of danger.

In a land controlled by feudal barons, a great warrior and a young boy embark on a journey across a dangerous land to find enlightenment.

A genre-bending martial arts series very loosely based on the classic Chinese tale Journey to the West.

A modern update finds the famous sleuth and his doctor partner solving crime in 21st century London.

Six original one-hour standalone episodes focused on both new and established characters within the walker apocalypse. Each episode has its own distinct tone and point of view — but the stakes are high in each story, pushing new, indelible characters with relentless, life-threatening choices and situations. We get to see the apocalypse through different eyes, discovering more worlds, mythos, and mysteries of the Walking Dead.

One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.

The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.

Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.