Jessica Day is an offbeat and adorable girl in her late 20s who, after a bad breakup, moves in with three single guys. Goofy, positive, vulnerable and honest to a fault, Jess has faith in people, even when she shouldn’t. Although she’s dorky and awkward, she’s comfortable in her own skin. More prone to friendships with women, she’s not used to hanging with the boys—especially at home.

In 2019 the world is on the brink of an apocalypse as humanity prepares for a final judgment. But follies ensue — Aziraphale, a somewhat fussy angel, and Crowley, a demon aren’t enthusiastic about the end of the world, and can’t seem to find the Antichrist.

Six years before Saul Goodman meets Walter White. We meet him when the man who will become Saul Goodman is known as Jimmy McGill, a small-time lawyer searching for his destiny, and, more immediately, hustling to make ends meet. Working alongside, and, often, against Jimmy, is “fixer” Mike Erhmantraut. The series will track Jimmy’s transformation into Saul Goodman, the man who puts “criminal” in “criminal lawyer”.

Special Agent Will Trent was abandoned at birth and forced to endure a harsh coming-of-age in Atlanta’s overwhelmed foster care system. Now that he is in a position to make a difference, he is determined to use his unique point of view to make sure no one is abandoned like he was. His personal motivation and background contribute to him having the highest clearance rate in the GBI. Based on the bestselling “Will Trent” series by Karin Slaughter.

Before she was a fashion icon, before her column in the New York Star, before Mr. Big, Carrie Bradshaw was an innocent 16-year-old girl living in suburban Connecticut.

Best friends Raven and Chelsea, now both divorced mothers, are raising their children in a house together. Their house is turned upside down when they realize one of Raven’s children inherited the same psychic abilities as their mother.

The trials and tribulations of a two man, digi-folk band who have moved from New Zealand to New York in the hope of forging a successful music career. So far they’ve managed to find a manager (whose “other” job is at the New Zealand Consulate), one fan (a married obsessive) and one friend (who owns the local pawn shop) — but not much else.

The misadventures of a group of friends as they navigate the pitfalls of work, life and love in Manhattan.

Mira is an American movie star disillusioned by her career and a recent breakup, who comes to France to star as “Irma Vep” in a remake of the French silent film classic, “Les Vampires.” Set against the backdrop of a lurid crime thriller, Mira struggles as the distinctions between herself and the character she plays begin to blur and merge.

Three women living in three different decades: a housewife in the ’60s, a socialite in the ’80s and a lawyer in 2018, deal with infidelity in their marriages.

Jamie Redknapp, Freddie Flintoff, Jack Whitehall and James Corden embark on a road trip across America where they’ll compete with one another in various tasks and sports.

One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.

The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.

Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.